I found some source photography online and used these as the basis for my mock-ups. I also photographed each of the fossils, isolated them from their background and added a faded drop shadow, meaning they could be edited onto any surface and still cast a realistic shadow. I tried to chose photo settings where the fossil sculptures would complement, and also tried to create either a sense of involvement with water or that these fossils were only recently exposed from underground rock.
The mock-ups looked ok, however they were no replacement for an actual street setting. It would have been really tricky for me to have complete faith in safely attaching them to a wall, without test pieces for trial and error. Faye also suggested I attempt to remould the pieces with lighter material, or with some sort of lightweight filling, however due to the nature of the bottle piece as a wasting plaster cast I had no original moulds to start experimenting with materials in. These are all things I will bare in mind for the future however, and I have definitely learned the importance of conducting at least a brief risk assessment before installing street pieces.
My favourite of the mock ups was set in the Underground Gallery of the St Stephens Street underpass (right), which is where I had initially intended them to go when designing the work. As there is already other art here already, pieces survive well, and meet with a positive reception from the public who are already prepared to encounter art.
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